Search: Starring Alan Arkin

Affleck knows how to keep a tight grip on a story, gets better at ratcheting tension with every film, and displays a fearlessness when it comes to mixing genre.

It's an unbridled pleasure to see Bateman off the leash for once.

You have no idea how enjoyable this is

By contrasting an artificial man with the real but unsubtly false men and women of the world and their queer existences, Burton presents satire with a dull thud.

Antonioni's film is the last of the three here, and is arguably the weakest, which is something of a disappointment because the disciples seem to have overshadowed the leader.

A creaky thriller with less suspense than Reese Witherspoon and an awards ceremony.

Get Smart contains just enough laugh-out-loud moments to merit the price of a cinema ticket.

Great cast, great dialogue, great Baldwin cameo, great movie.

An odd mix of affectionate satire and jarringly brutal slapstick, the former more successful than the latter except for when an unhinged Jim Carrey is on the prowl.

Writer Michael Arndt has cleverly captured the bribery and corruption which lie at the heart of most families.

The strength of this story is its simplicity, yet, at a full two hours, that's also its weakness.

Wry, funny and emotionally-charged.

By opening up his story Hood may reach a wider audience and this is a subject which certainly cries out for more attention.

Arkin fully inhabits the role, never once falling prey to the self-consciousness which is the downfall of many a film of this type.

True believers in Father Christmas should avoid this film like the plague.

While Adams and Blunt scrabble for subtext and a depth that simply isn’t there, the movie congeals around them.

It's a great experience for the actors to get into such meaningful and intelligent roles and for us to be thrilled by their hard work and great performances.